We move on through the front gate to get you to the walkway and seating area located by the front door. This small raised section for a small table was entirely my idea, and was not even hinted at by the homeowner.
[Pencil sketch of walk to front door.]
Technically* . . . I think it is a ‘crappy drawing’, but it does convey the feeling I am trying to get across; which is, what would a moving observer see if he stepped inside the gate and started for the front door?
- Some sort of hard-surface walkway, in this case brick or brick pavers.
- A small raised patio section, just big enough to hold a two-top table and maybe a pot or two.
- Strong evergreen plantings by the steps.
- Steps; deep, wide, slabs coming off the top patio. Steps need to keep up with the size of the columns flanking the front door.
- Hint of planting in the distance-this is where the stream would start that follows it way around the side and back of house . . . ending up in the lake.
- Lawn on both sides of walk and simple planting scheme for these non-gardeners.
*When I say technically I am referring to the curve in my walkway. From a perspective standpoint I don’t think the curve looks correct, especially the way the walk turns to the left(on the far side of small raised patio).
This had been my 6th or 7th rough sketch and I finally just said %$$@#, this angle will have to do. For me . . . drawing curves and arcs in a 2 point perspective drawing is real tough.
I do not use a graph or chart underneath these drawings, I just freehand the lines, and eyeball where the vanishing points are. I suppose if I were doing more formal presentation drawings, or some other “final” type of drawing I would make a better attempt.
. . . but . . . I use these conceptuals as a way to start a dialogue between me and the client. This is the most important thing-the open dialogue . . . finding a way to get to their dream. Dialogue is much more important than a technicality in the detail of the drawing/rendering,